Batman Began Again 15 Years Ago

Fifteen years ago today, Batman Begins was released in theaters and started director Christopher Nolan’s Dark Knight Trilogy.

The importance of this film in the history of the superhero / comic book genre cannot be understated. It single-handedly saved the Batman franchise after Warner Bros. campified it with Joel Schumacher’s deplorable one-two punch of Batman Forever and Batman and Robin. The Batman character was a cinematic joke after the latter. In fact, only the animated series was keeping the Dark Knight truly alive.

Batman Begins was a fresh start, a do-over, and a model for how to do franchise reboots correctly. Christopher Nolan, who was new to the comic book genre and known for more character-driven, intricately-plotted, and smaller films, took a more realistic approach with the iconic character and his universe.

Continue reading

The Real Source of Racial Reconciliation

I have another great sermon today from Dr. Voddie Baucham, Dean of Seminary at African Christian University in Zambia. Like yesterday’s post, it was recorded last year at a Founders Ministries conference in Cape Coral, Florida. And like yesterday’s post, it’e extremely prescient to the current cultural climate.

In the video below, using the scriptural basis of Ephesians 2:10-11, Dr. Baucham explores the true source of racial reconciliation. It’s not in laws, government, public prostrations of guilt, reparations, or any other worldly source.

We are reconciled to each other through the death and resurrection of Jesus Christ, period. We are unified in our brokenness and our need for redemption through Christ. And in the end, that is all that matters.

Find out more below.

The Dangers of Ethnic Gnosticism

Last year, Dr. Voddie Baucham, Dean of the Seminary at African Christian University in Zambia, was a keynote speaker at a Founders Ministries conference in Cape Coral, Florida. One of his talks was about a subject he calls “ethnic gnosticism.” Dr. Baucham coined the term and defines it as the phenomenon of people believing that somehow, because of one’s ethnicity, that one is able to know when something or someone is racist. And his contention is that this phenomenon is sinful.

In light of current events in the United States and around the world, this sermon is very prescient. Modern race relations have been corrupted by identity politics and other worldly concerns. This doesn’t mean that ethnicity isn’t important; it is a beautiful component of human life that God has created. One can love one’s background and the richness of culture, but it shouldn’t take precedent over the truth of the gospel: that all have sinned and need the redemption found in Jesus Christ. Our connection to Christ is something that binds us all together as creations of God.

Take a look at the video below. Dr. Baucham speaks the truth in love, exposing how the sin of ethnic gnosticism is destroying genuine relationships and creating idols of worldly identity. A great and informative talk.

The Best of Ken Burns


For almost four decades, filmmaker Ken Burns has been making informative and entertaining documentary films that celebrate the different people, events, icons, and art forms that have made the United States of America a unique society in the world.

Burns’ films were a breakthrough for the genre. While history documentaries were seen by most people as dry and boring, Burns made the stories come to life with all the drama and emotion of a film—even if what was on screen was a grainy photograph. Through his signature use of pans, close-ups, emotional music (especially piano), and other filmmaking techniques, Burns brought character and life out of the past and made those old voices live again.

It’s also clear looking at his back catalog that Burns has a lot of respect for his audience. When he’s at his best, Burns simply lets the stories of the past play out with little bias or favor, giving all sides of an issue or event a fair shake. The audience is challenged to form their own opinions about the story, which makes the film so much more engaging and thought-provoking.

I credit Ken Burns with pouring some serious gasoline on the fire that was my passion for American history. I was a kid when I saw my first Ken Burns documentary series on PBS, and it captivated me from the start. The raw human emotion that came forth made me understand that history wasn’t just old photos and dates to memorize, but a collection of real human stories – good, bad, and in between.

Burns also heavily influenced the way I tell stories in my professional career in entertainment, and I always try to find ways of incorporating history into my projects.

Another aspect of Burns’ films that is well known is their length. Many of his works are highly detailed and consist of multiple episodes, running anywhere from four to nineteen hours. These massive lengths are often ridiculed, but I argue that they are entirely necessary to fully understand some of these complicated subjects. One comes out of these films with a new insight to history because of all the details.

My recent review of his latest film, Country Music, prompted me to think of other projects in his body of work that have impacted me and my outlook on history. With states and localities under various degrees of stay-at-home orders due to the COVID-19 pandemic, it may be a good time to dust off some of these old stories to pass the time. These films are the types of stories we could all use right now.

So here are my ten favorite Ken Burns films, along with where you can stream them at home.

Continue reading

COUNTRY MUSIC – Humanity in Song


I have been a big fan of documentarian Ken Burns for most of my life, and I credit some of his seminal works like The Civil War for getting me deeply interested in history. When Burns recounts straight history, without any kind of personal slant or agenda, he’s the best in the genre. His documentaries are long endeavors to be sure, but one feels closer to history after viewing them.

I’m happy to report that Country Music, Burns’ latest multi-hour documentary film, was indeed Burns at his best and was, therefore, one of his best works in recent years – and became one of my favorite films of 2019.

Like the music that it celebrated, Country Music was a simple story told in the most sincere way possible – highlighting the origins, highs, and lows of the industry and its artists and impresarios. There was laughter, tears, and lots of great stories about how this truly American art form has evolved over the course of a century. But the film’s greatest strength was highlighting country music’s greatest asset: its humanity.

Continue reading